Reassociate explores how pop culture disconnects violent histories from their original contexts, eroding our collective memory of nuclear warfare and colonial violence. Through hariko dolls, animation, and archival research, Japanese artist and illustrator Yasuko Toda reconnects past and present to question how cultural dissociation enables cycles of violence to continue.

Through installation, photography and archival research, After Spectacle: Photography, Authority and the Archive by Kirsten Garner Lyttle examines how nineteenth-century visual technologies, museum practices and exhibition culture shaped colonial ways of seeing, believing and knowing.

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We Built a House Out of Water is a new body of work by Peta Duncan. Through lens-based image-making, layered material experimentation, she creates an expressive intimate space that mirrors an internal landscape. Shaped by culture, family and memory, through the ongoing process of healing.

We Should be Seen, We Should be Heard pays homage to the extraordinary life and work of leading Gomeroi/Gamilaraay Murri First Nations photojournalist and photographer Aunty Barbara McGrady (Aunty Barb).

Xenobotany, a solo exhibition by Lena Becerra, invites visitors into a speculative ecosystem of hybrid organisms - where glass vessels, prosthetic anatomies, and circulating fluids form a living archive in constant mutation, blurring the boundaries between biology, technology, and memory.

Ara-Thulu (Tree) is a landmark exhibition born from a year-long Indigenous collaboration between Lanjia Saura artists from Odisha, India, and Aboriginal artists and cultural custodians from Boonwurrung, Wurundjeri, and Kamilaroi Country in Australia.

A Conch Choir showcases a collaborative installation by artist Lucreccia Quintanilla and composer Nina Buchanan. The work centres the culturally resonant call of the conch, grounded in sound histories, improvisation and more-than-human collaboration.

Through Our Eyes invites audiences into a living archive where African-Australian experiences are neither monolithic nor marginal but richly textured, complex, and foregrounded. Through photography, film, and community voice, Through Our Eyes opens new imaginative futures of solidarity, dignity, and joy grounded in lived experience and creative resilience.

Grained is a group exhibition, curated by Playte, positioning rice as a powerful symbol of sustenance, resilience, and interdependence - opening fresh conversations about cultural experience in contemporary Australia and the wider Global South.

We are excited to close out the year with Ganbuy Nanja: Rewoven Stories – an exceptional exhibition from Numbulwar Numburindi Arts that reimagines ancestral weaving practices through contemporary materials and environmental storytelling.

HumaNature is a reminder that within everybody lives a garden.

8 Mystery 8 invites the viewer to reconnect with the vital essence of nature and to reflect on its deep connection with human life.

Blak Dot is proud to present: moa fleiva by Jasmin Seale part of this years Melbourne FRINGE Festival.

Blak Dot is proud to present: Te Koha by noa hāmana part of this years Melbourne FRINGE Festival.

Join us in this exhibition as we delve into the profound essence of Rarohenga, bridging the gap between our existence and the unseen world - ultimately transforming our understanding of life, death, and everything in between.

Celebrating the hands that build our world - one cut at a time.
Working Class invites us to reflect on the unseen labour that holds our communities together. Working Class is for anyone who's ever clocked in, carried weight, or felt overlooked. It's a celebration. It’s a protest. It’s art that works.

Tera echo is an ongoing project that responds to carceral cultures with creative action, performed indeed as a ghost in the machine. The contemporary works for this exhibition fuse sound, video, installation, expanded painting, and performance residue responding to the Australian Government’s Kangaroo Harvest Management Plan.

rraykana (emu) What began as a creative rivalry during incarceration sparked something deeper: a practice rooted in cultural reconnection, healing, and strength.

Tō’u Vaira’a Tamari’i (My Womb) / Fuck You, I’m not your Dusky Maiden - unmuted!, presented by Françoise Schneiders, showcases works rooted in matriarchal wisdom and Indigenous sovereignty.

HONONGA, presented by Irihipeti Waretini, is grounded in a shared canopy of presence, culture, and care - anchoring community through ancestral ties.

EXCHANGE is a group exhibition featuring a dynamic new body of work by eight

First Nations artists based in Naarm (Melbourne), Victoria.

These Arms Hold- Incinerator Gallery

Curated by: Maya Hodge, Artist(s): Gabi Briggs, Indiana Hunt, Moorina Bonini, and Tarryn Love.

International Festival of Photography PHOTO 2024, Counihan Gallery. Curated by Kimba Thompson,

the exhibition features work by Julie Gough, Maree Clarke, Peta Clancy and Jody Haines.

International Art Residency Exchange at Lancaster Press Fiji.

Yo Soy Collective presents:

Ancestral Magik is an exhibition showcasing contemporary narratives from the Latin American continent.

nexus is the first solo exhibition by multidisciplinary artist wani toaishara.

TIAKI to guard, to care, to watch, to protect

by: Gina Ropiha

Rebuilding Queerness is a celebration of Queer & Trans Person of Colour (QTPOC) stories, highlighting the unique and diverging experiences of Queerness, culture and self within our community.

The Blood is Money is a critique that invites us to reflect on the one hand about the logic of power, money, abuse, and the excessive and irresponsible use of the image of Indigenous and Aboriginal people from various territories, who have been systematically mistreated throughout history.