rraykana (emu) What began as a creative rivalry during incarceration sparked something deeper: a practice rooted in cultural reconnection, healing, and strength.

Tera echo is an ongoing project that responds to carceral cultures with creative action, performed indeed as a ghost in the machine. The contemporary works for this exhibition fuse sound, video, installation, expanded painting, and performance residue responding to the Australian Government’s Kangaroo Harvest Management Plan.

Tō’u Vaira’a Tamari’i (My Womb) / Fuck You, I’m not your Dusky Maiden - unmuted!, presented by Françoise Schneiders, showcases works rooted in matriarchal wisdom and Indigenous sovereignty.

HONONGA, presented by Irihipeti Waretini, is grounded in a shared canopy of presence, culture, and care - anchoring community through ancestral ties.

EXCHANGE is a group exhibition featuring a dynamic new body of work by eight

First Nations artists based in Naarm (Melbourne), Victoria.

We are excited to announce the gallery will reopen in 2025 and we will now be taking

Applications for Exhibition Proposals from mid 2025/26.

These Arms Hold- Incinerator Gallery

Curated by: Maya Hodge, Artist(s): Gabi Briggs, Indiana Hunt, Moorina Bonini, and Tarryn Love.

International Festival of Photography PHOTO 2024, Counihan Gallery. Curated by Kimba Thompson,

the exhibition features work by Julie Gough, Maree Clarke, Peta Clancy and Jody Haines.

International Art Residency Exchange at Lancaster Press Fiji.

Yo Soy Collective presents:

Ancestral Magik is an exhibition showcasing contemporary narratives from the Latin American continent.

nexus is the first solo exhibition by multidisciplinary artist wani toaishara.

TIAKI to guard, to care, to watch, to protect

by: Gina Ropiha

Rebuilding Queerness is a celebration of Queer & Trans Person of Colour (QTPOC) stories, highlighting the unique and diverging experiences of Queerness, culture and self within our community.

The Blood is Money is a critique that invites us to reflect on the one hand about the logic of power, money, abuse, and the excessive and irresponsible use of the image of Indigenous and Aboriginal people from various territories, who have been systematically mistreated throughout history.

Blak Lens is proud to celebrate our first collection of works from First Nation photographers of Blak Lens, a survey of works for this years NAIDOC week celebrations ‘Get Up! Stand Up! Show Up!.

An immersive exhibition where 'you can take the memory of these scarred trees

with you forever, and share their story' - Uncle Jim.

Please join us as we welcome baby kori from another dimension; with gifts, blessings and ritual offerings at our baby shower & gender reveal party!

TONANTSINTLALLI – a multidimensional Mother Earth

Whanaunga is an exhibition of new paintings by Renee Cosgrave with works by her Whaea (Aunty) Dorothy Nilson. Whanaunga means relative in te reo Māori

Young Eritreans Australia celebrates our voices and how we connect with each other and culture creatively, living in the diaspora

VIRTUAL GALLERY ONLY

Adapt22 // A collection of mixed Media artworks created by Josh Deane

This group exhibition is an exploration of women's storytelling, culture, vibrations, weaving, family and ancestral ties, and the oceans and land which bridge our connection with one another.

Code Blak: code switching in the intersection of culture,gender and sexuality. Art is a code and Blak absorbs all the colours. The show is an output of all this.

We acknowledge that Blak Dot would not be what it is today without its many volunteers and arts community.

A community response to the provocation “Who’s afraid of the Public space”

UN-SPORTS-MAN-LIKE both questions and celebrates masculinity, the body and sport culture and iconography.

An Afro American expression of pleasure and approval for a person, place or situation. Brought to you by Cubby Art Party